The lost wax process is a traditional method
of casting in bronze which has been used by
sculptors for at least 5,000 years. Barbara Chen
has selected lost wax bronze for the execution of
her limited edition sculptures for its fidelity
to her original sculpture and for the rich and
solid appearance of bronze. Chen casts her
sculptures at a world-class foundry in Joseph,
Oregon. Chen creates her original sculptures
in an oil-based clay placed on a steel and foam
"armature" or structural skeleton which
she builds herself. Working by eye, she spends
several weeks to several months on each new
sculpture. She always works to music
("everything from opera to calypso")
because she finds the music inspires the poses
and energy in her sculptures. Chen prefers to
have two or three sculptures in progress at any
given time, so that she can always have
"fresh eyes" for the piece she is
currently working on.
After an original sculpture is completed by
Chen, a rubber mold is carefully taken from the
clay original in a process which takes several
days. The oil-clay original remains soft, and is
destroyed after the mold is taken. Several layers
of hot wax are then poured into the rubber mold,
resulting in a hollow replica of the original
sculpture. The wax version of the sculpture is
removed from the mold, and any imperfections such
as air bubbles or seam lines are then
"chased" away by hand. At this point in
the process, Barbara Chen inspects and retouches
each wax to assure fidelity to her original
sculpture. A new wax is poured for each casting
in an edition, and the mold is destroyed after
the entire edition has been cast.
The next step in the process is the addition
to the wax sculpture of a network of wax
"sprues" and "vents", which
will act as channels through which the molten
bronze will flow into the sculpture and gases
will escape. For most sculptures, the wax
reproduction must be cut into several pieces
before sprueing in order to ensure a successful
bronze pour.
The placement and design of these
channels is crucial; proper placement ensures a
successful and complete filling of the mold
before the bronze cools to a solid state, as well
as perfect reproduction of minute details. A wax
cup is connected to the sprues, which will serve
as the receptacle into which the bronze is
poured.
Over a period of approximately nine days, this wax "tree", consisting of the pieces of the wax sculpture, connected by a network of wax channels to a wax cup, is dipped alternately into ceramic slurry and silica sand. During this period, each coat of slurry and sand is allowed to dry and gain strength. This "ceramic shell" is then placed in a kiln, melting out the wax (hence the term "lost wax") contained in the tree, and firing the shell. The ceramic shell mold is now hardened and ready to receive molten bronze.
Bronze is melted in a crucible to 2100
degrees Fahrenheit, and poured into the
pre-heated ceramic shell through its cup. The
sculpture, sprues and cup are filled with molten
bronze. After the bronze cools completely, the
shell is chipped and sandblasted off the bronze
casting. The sprues and vents are removed from
the bronze, which is now a set of pieces
identical in form to the cut- up wax original
prior to sprueing. These bronze pieces of the
sculpture then are welded together by highly
skilled craftsmen, and the resulting bronze
sculpture is again "chased", removing
any imperfections from the casting process.
Barbara Chen again inspects each sculpture at
this stage to assure that every detail is perfect
before the patina is applied to the sculpture. A
variety of chemical solutions is carefully
applied by hand by expert patineurs while the
sculpture is heated with a torch.
Chen works
closely with the patineurs in the development and
execution of each patina she chooses for her
sculptures.
The resulting lost-wax bronze sculpture is then sealed and mounted to a custom-made stone or wood base. The finished work of art is an enduring sculpture which will bring joy and beauty into the lives of those who view it for generations to come.
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Please feel free to contact me at: info@barbarachen.com |
©2000 Barbara Chen. All rights reserved. | Last update on 2/4/2000. |